La construcción del paisaje queer en torno al Mediterráneo
DOI:
https://doi.org/10.18537/tria.14.01.06Resumen
Esta investigación tiene por objetivo abordar dos conceptos, cuales son la liminalidad y lo queer a partir del análisis de los viajes y estadías en torno del Mediterráneo realizados por prominentes artistas durante los siglos XIX y XX. El supuesto hipotético plantea que el Mediterráneo ha ofrecido las condiciones liminales que le ha permitido convertirse en el destino preferido de viajeros con una orientación sexual queer. Estos personajes han plasmado sus intereses sexuales tanto en su obra literaria, pictórica, fotográfica, cinematográfica, etc., creando de esta manera una geografía íntima y personal que terminó por plasmarse en una arquitectura, que sirvió como refugio y teatro para su doble existencia homosexual. En ellas es posible apreciar toda una estética que podemos denominar como queer, que parte en la arquitectura y termina en la vestimenta, y que ha sido posible construir gracias a la existencia de este Mediterráneo liminal.
PALABRAS CLAVE: Queer, liminalismo, Mediterráneo, Orientalismo, arquitectura.
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