The work of art in the age of "remix"

Authors

  • René Sebastián Martínez Sánchez Universidad de Cuenca

DOI:

https://doi.org/10.18537/ripa.02.05

Abstract

Analysis of Walter Benjamin's proposal on the destruction of the aura and the politicization of art applied to the digital age and its particular characteristics such as reappropriation, remix, and the free distribution of information through Internet communities.

Keywords: art, philosophy, aura, Walter Benjamin, digital, open source, free (as freedom), remix, generative art, community

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References

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Echeverría, Bolívar. 1999. “Introducción.” En La Obra de Arte En La época de Su Reproductibilidad Técnica. Astrágalo: revista cuatrimestral iberoamericana.

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Pearson, Matt. 2011. Generative Art. Pap/Psc. Manning Publications.

Riley, J. 2016. Understanding Metadata, pp. 1-49. Baltimore: National Information Standards Organization.

Rojas, Carlos. 2011. Estéticas Caníbales. Del Canon Posmoderno a Las Estéticas Caníbales.

Schroeder, Barbet. 1974. “General Idi Amin Dada”. https://www.idfa.nl/industry/tags/project.aspx?ID=320f4f6e-2e2d-4bc9-9a8b-65735ac1a5d2.

Published

2017-06-07

Issue

Section

ARTÍCULOS