Burdens: contemporary sculptural representation for job dignity and aesthetic valorization of the practice of social recycling
DOI:
https://doi.org/10.18537/ripa.19.09Keywords:
visual arts, research-creation, basic recycling, recognition, contemporary artAbstract
Recycling exists, but remains invisible. It is mostly carried out by women who recover and sell materials obtained from garbage, contributing to waste mitigation. Their work, essential but undervalued, represents an unfair and insufficient remuneration for the sustenance of their homes. In this context, my proposal seeks to dignify the practice of recycling and to highlight its working conditions through a life-size female sculpture in an installation and deeply symbolic environment, conceived as a monument. The work is inspired by the experience of my mother, a base recycler in Cuenca for more than fifteen years, and represents thousands of women who constitute the main support of their families. The character pulls the load collected in eight hours of work, symbolizing not only the physical weight, but also the family, economic, social and emotional ones. The work invites us to reflect on the importance of this work, promoting a respectful view.
Downloads
References
Bruno, H., Elizondo, F., & Baeza, E. (9 de abril de 2022). Arte y Reciclaje – Crítica. Crítica: https://www.revista-critica.es/2022/04/09/arte-y-reciclaje/
Camargo Castro, J. P., Agudelo Patiño, M. F., Orozco Silva, S. A., y Veloza Bernal, A. S. (2022). Del basurero al museo: Arte con reciclaje. Revista Agunkuyâa, 12(1), 43. https://revia.areandina.edu.co/index.php/Cc/article/view/2163/2373
Campos, C. M. (2015). El arte reciclado de David Kemp: assemblages y esculturas comprometidas con su entorno. Revista de historia del arte(14), 225. https://dialnet.unirioja.es/servlet/articulo?codigo=5291116
Fernández, D. (1 de septiembre de 2017). La interpretación ready-made. https://www.revistavirtualia.com/storage/articulos/pdf/0y0KT7P9oHAWSnAxWVRwIdsE0upzFW8VLduHvcM0.pdf
Grupo de Investigación Economía Circular Inclusiva y Desarrollo Sostenible (ECI). (2022). Guía Legal de Gestión Integral de Residuos Sólidos y Reciclaje Inclusivo Cantón Cuenca- Ecuador. https://drive.google.com/file/d/1-ZfxCNereWDg41hGC_cae40b7FvyaqSs/view?usp=drivesdk
Moya, M. (2021). La investigación-creación en arte y diseño: teoría, metodología, escritura. Editorial Universitaria Samuel Feijóo; https://estal.site/index.php/estal/article/view/17
Moya, M. (2024). La investigación-creación en artes visuales. Aventura didáctica hacia una titulación. Editorial Universitaria Samuel Feijóo; https://estal.site/index.php/estal/article/view/21
Riegl, A. (1987). El culto moderno a los monumentos. Madrid: A. Machado Libros, S. A.
Rojas, M. E. (1995). El arte del desecho y la dignificación de la basura. Revista Estudios(12-13), 136. https://dialnet.unirioja.es/servlet/articulo?codigo=6135732
Ruiz, R. (19 de abril de 2018). Vik Muniz, el artista de Waste Land | SIGNUS Blog. https://blog.signus.es/vik-muniz-el-artista-de-waste-land/
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.







