Comics in the classroom: a proposal to promote drawing in high school

Authors

DOI:

https://doi.org/10.18537/ripa.20.04

Keywords:

comic, transdisciplinary, drawing, didactic, playful

Abstract

Artistic education constitutes an essential discipline for the comprehensive training of students, since it allows them to develop creative capacities, analytical skills and aesthetic sensitivity, fundamental aspects for their personal growth and their interaction with society. Within this context, the use of comics as a pedagogical tool for teaching drawing in the first years of high school is proposed as an innovative and effective alternative, capable of strengthening the quality of artistic education in the Ecuadorian school environment. The comic is presented as an accessible and adaptable resource, which makes it possible to address relevant and contemporary topics in an entertaining and attractive way, encouraging the active involvement of students in their learning process. This research proposes a concrete strategy for the implementation of this methodology, designed to take advantage of the unique characteristics of comics and thus stimulate creativity, promote critical thinking, and motivate students to consciously participate in their own learning. In summary, the integration of comics as a teaching resource represents a significant alternative to enrich artistic education and promote the comprehensive development of young people, contributing to their training being more complete and meaningful.

Downloads

Download data is not yet available.

References

Aragonés, J. P. (1995). Aprender a narrar con el cómic. COMUNICAR, 73. Obtenido de file:///C:/Users/Cashamerica/Downloads/Dialnet-AprenderANarrarConElComic-636285.pdf

Arceo, F. D. (2006). Enseñanza situada. Vínculo entre la escuela y la vida. México: McGraw-Hill Interamericana Editores, S.A. DE C.V.

Gavaldón, G., Gerbolés, A. M., & Sáez de Adana, F. (2020). Aprender a comunicar con imágenes. Uso del cómic en la educación superior como vehículo para el desarrollo de competencias multimodales. Scielo. Obtenido de http://dx.doi.org/10.18682/cdc.vi89.3801

Meireiu, P. (2016). Recuperar la pedagogía de lugares comunes a conceptos claves. Buenos Aires, Argentina: Paidós.

Mejía, Y. A. (2017). Transdisciplinariedad y transversalidad. Revista Publicando, Vol. 4 No. 11 (1). 2017, 499-512. ISSN 1390-9304

Ministerio de Educación. (2016). Currículo de EGB y BGU Educación Cultural y Artística. https://educacion.gob.ec/wp-content/uploads/downloads/2016/08/ECA-completo.pdf

Moya, M.; Urías, G.; Pino, R. (2024). La clase metodológica instructiva en la Educación Cultural y Artística. Teoría, metodología y ejemplo. Santa Clara: Editorial Feijóo. https://estal.site/index.php/estal/article/view/22

Navarro, D. (2016). La Narración Gráfica como estrategia didáctica en la educación artística en la secundaria. Granada, España. https://digibug.ugr.es/handle/10481/48601

Pastor, C. A. (2014). EducaDUA. https://www.educadua.es/doc/dua/dua_pautas_intro_cv.pdf

Pérez, F. (2009). El Cómic (Diapositivas de PowerPoint). Elementos del Cómic. https://es.slideshare.net/fperezr/elementos-del-comic-1517434?from_action=save

Sonderegger, R. (diciembre de 2019). ¿Emancipación, normalización o violencia? La educación estética de Kant a Spivak. Rigel (8), 272.

Zabala, A. (2001). Cómo trabajar los contenidos procedimentales en el aula. Barcelona: Graó, de IRIF, S.L.

Published

2026-01-01

Issue

Section

ARTÍCULOS