Application of Feynman method for learning pianistic repertoire: a pedagogical model

Authors

DOI:

https://doi.org/10.18537/ripa.21.08

Keywords:

Feynman Learning Method, pianistic repertoire, autolearning-memorization

Abstract

Learning pianistic repertoire at the pre-professional or professional level, is characterized by being a multidimensional and multisensorial activity, which demands among others, a solid memorization of various musical aspects through neurosensorial actions. The Feynman Learning Method stands as a methodological concrete option which embraces proceedings proper of music learning, such as constructivism, memorization based on learning and reflection, autolearning and deliberate attention. The article focuses on the still necessary exploration of the cognitive implications of his statements in the interpretive disciplines.

Downloads

Download data is not yet available.

References

Badddeley, A. (2010). Working memory. Current biology: CB, 20(4), R136–R140. https://doi.org/10.1016/j.cub.2009.12.014.

Beilock, S., MacMahon, T., & Starkes, J. (2002). When paying attention becomes counterproductive: impact of divided versus skill-focused attention on novice and experienced performance of sensorimotor skills. Journal of Experimental Psychology: Applied, 8(1), 6-16. 10.1037//1076-898x.8.1.6.

Cowan, N. (2022). Working memory development: A 50-year assessment of research and underlying theories. Cognition, 224. https://doi.org/10.1016/j.cognition.2022.10507

Du, X. (2024). Application research through Feynman’s learning method on the music instruction of students colleges, China. Procedia of Multidisciplinary Research, 2(1). https://so09.tci-thaijo.org/index.php/PMR/article/view/3689

Dunlosky, J., Rawson, K., Marsh, E., Nathan, M., & Willingham, D. (2013). Improving Students' Learning With Effective Learning Techniques: Promising Directions From Cognitive and Educational Psychology. Psychological science in the public interest, 14(1), 4–58. https://doi.org/10. 1177/1529100612453266

Encalada Leon, P. D. (2017). Application of Finger Gymnastics for Retraining and Refining Piano Technique. University of Miami. https://scholarship.miami.edu/esploro/outputs/doctoral/Application-of-Finger-Gymnastics-for-Retraining/991031447139802976#file-0

Ferrer, E., O´Hare, E., & Bunge, S. (2009). Fluid reasoning and the developing brain. Front Neuroscience, 3(1), 46-51. https://doi.org/10.3389/neuro.01.003.2009

Mishra, J. (2005). A theoretical model of musical memorization. Psychomusicology: Music, Mind & Brain, 19(1), 75-89. https://www.academia.edu/6926642/A_Model_of_musical_memory_PDF

Rasch, B., & Born, J. (2013). About sleep's role in memory. Physiological reviews, 93(2), 681– 766. https://doi.org/10.1152/physrev.00032.2012

Rodrigues, F. (2023). Perspectiva das neurociências para otimizar a aprendizagem e o método de aprendizagem Feynman. Dialoga, 46. https://doi.org/10.5585/46.2023.25442

Schlaug, G., Jäncke, L., Huang, Y., Staiger, J. F., & Steinmetz, H. (1995, August). Increased corpus callosum size in musicians. Neuropsychologia, 33(8), 1047-55. 10.1016/0028-3932(95)00045-5

Squire, L. R., Genzel, L., Wixted, J. T., & Morris, R. G. (2015). Memory consolidation. Cold Spring Harbor perspectives in biology, 7(8), 021766. https://doi.org/10.1101/c shperspect.a021766

Vaquero, L., Hartmann, K., Ripollés, P., Rojo, N., Sierpowska, J., François, C., Càmara, E., Tijmen van Vugt, F., B., Samii, A., Münte, T., Rodríguez-Fornells, A., & Altenmüller, E. (2016). Structural neuroplasticity in expert pianists depends on the age of musical training onset. NeuroImage, 126(126), 106-119. https://doi.org/10.1016/j.neuroimage.2015.11.008

Published

2026-07-01