The use of languages in the Escenosfera

Abstract

The research arises from the need to provide research and methodological tools to the acting students, to facilitate their creative processes in favor of the creation of the character and scenic dramaturgy, with a correct use of the scenic systems of the stage.

We rely on theorists such as: Iuri M. Lotman, allows us to delimit our universe of study; starting from his concept of Semiospher, to arrive at our Escenosfera. In Tadeusz Kowzan, for his proposal to study the signal systems of the scene from what is seen and what is heard. Bobes Naves, for their contributions to the study of the scene and the processes of scenic communication. Enrique Finol, for his studies of the Corposphere and his vision on the interrelation of the limits and borders of the sign systems.

The dramatic text and the aesthetic proposal of the director and the knowledge of the Escenosfera, allows that the students - actors in the period of essays, look for and codify the languages ​​and thus, use the scenic systems of escenosfera to create their character and the whole proposal of the scenic dramaturgy.

Keywords: Theater, Scenosphere, Creation, Analysis, Character.