The Pinhole as Image Creation Archetype: Explorations of Analog and Digital Media
DOI:
https://doi.org/10.18537/tria.13.01.04Abstract
The generation of images and the relationship with their supports has been a constant concern. Various authors propose a separation between the image (content) and its supports, bodies, containers and techniques. Based on this, the search to show this difference and link leads us to explore the relationship between the image and its support. The design of cameras and technological bodies proposed here seek to transfer the supports to new experiences with the idea of seeing how much it is capable of supporting the original latent image without being altered.
Keywords: Image, Light, Pinhole, Body, Creation.
Downloads
References
Belting, H. (2012). Antropología de la Imagen (1st ed.). Katz editores.
Bergson, H. (2017). Materia y Memoria: Ensayo sobre la relación del cuerpo con el espíritu
(4th ed.). Buenos Aires: Editorial Cactus.
Brea, J. L. (2016). Las Tres Eras de la Imagen: Imagen-Materia, Film, E-Image (2nd ed.).
Ediciones AKAL S.A.
Bredekamp, H. (2017). Teoría del Acto Icónico. (J. Espino Nuño, Ed.) (1st ed.). Madrid:
Ediciones AKAL S.A.
Daniilidis, K., y Klette, R. (2006). Preface. En K. Daniilidis y R. Klette (Eds.), Imaging
Beyond the Pinhole Camera (1st ed., pp. xi–xii). Springer.
Mitchell, W. J. T. (2017). ¿Qué quieren las imágenes? (1st ed.). Sans Soleil Ediciones.
Renner, E. (2008). Pinhole Photography: From Historic Technique to Digital Application
(4th ed.). Focal Press.
Simondon, G. (2015). Imaginación e Invención (1965-1966) (2nd ed.). Buenos Aires:
Editorial Cactus.
Zajonc, A. (2015). Capturar la luz (1st ed.). Ediciones Atalanta.
Downloads
Published
How to Cite
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
