The artist, a demiurge of the universe or simply a madman?

Authors

  • CELIA GUADALUPE MORALES GONZÁLEZ Autonomous University of the State of Mexico
  • OMAR HERNÁNDEZ PIÑA Autonomous University of the State of Mexico

DOI:

https://doi.org/10.18537/tria.13.01.10

Abstract

The artist is recognized in the field of artistic creation for his genius, he has been placed in different moments and contexts being invariable the questioning about the way in which he has faced the sublime or anodyne recognition, he is distinguished by the ability he has to creatively transmit his feelings and by an intricate need to perpetuate himself, challenges the flats of life with greater complexity and sometimes passes to posterity generating a belief that leads him to distinguish himself from others, his time becomes infinite and when he does not get it or the result does not satisfy him, he falls into a state of frustration that makes him unfold diverse feelings, by compromising his emotions until he falls into a state of irrational obsession, he reveals a mental disorder similar to madness that incites him to commit acts of foolishness or stupidity.

Keywords: art, creation, madness, knowledge.

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References

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Sapetti, A. (2011). Locura y arte demonios y pesadillas de los artistas que hicieron más bella a la humanidad. Argentina. Ediciones Lea.

Webgrafía

Maupassant, R. (1885). Carta de un loco, Fundación El Libro Total

proyecto de responsabilidad social e intelectual de la firma Sistemas y Computadores S.A. fecha de consulta, 12 de septiembre 2022, recuperado de :https://www.ellibrototal.com/ltotal/?t=1&d=8725

Sabater, V. (2022). Alejandra Pizarnik, biografía de la última escritora maldita. Fecha de consulta 15 de septiembre de 2022, recuperado de: https://lamenteesmaravillosa.com/alejandra-pizarnik-biografia-de-la-ultima-escritora-maldita/

Published

2022-12-11

How to Cite

MORALES GONZÁLEZ, C. G. ., & HERNÁNDEZ PIÑA, O. . (2022). The artist, a demiurge of the universe or simply a madman?. Tsantsa. Journal of Artistic Research, (13), 133–143. https://doi.org/10.18537/tria.13.01.10