Dramatic analysis and emotions

Abstract

What has happened in the theatrical stage environment in recent years? During the pandemic, the possibility of being in contact with the public was lost, so the groups that could were remade through technology. They entered homes thanks to different platforms that made the theater-spectator encounter intimate. As a consequence, and, thanks to technological resources, more and more, face-to-face assemblies are presented, but based on hybrid products. For this reason and more than ever, it is necessary for the scenic artist to know how to channel the analytical references of the character in which he is working, through his actions, train of thought, body-vocal management and specific emotional stimuli. Because the most important thing in a stage production is the honest, organic encounter between the actor and the character, without forgetting that self-expression, essential for the performer, is a psychophysical and emotional process that leads to a result.

Keywords: Dramatic analysis, scenic artist, emotions, bioenergetic, MATEA.