Historical imaginaries in plastic experimentation: Cultural Heritage as inspiration for contemporary art
DOI:
https://doi.org/10.18537/tria.14.01.23Abstract
The objective of this work is to show diverse teaching experiences on the creation of contemporary art through inspirations taken from different elements of cultural heritage. The topic is developed from the detailed analysis of the object of study - painting, sculpture or monumental architecture - with different possible objectives: visual hypotheses for reintegration in heritage restoration, historical dissemination through comics and graphic history, appropriation of forms of representation for the creation of contemporary languages or the historical study of techniques and expression for the development of analogies and reinterpretations applied to art or design. The methodology is developed in two main stages: the first defining the theoretical and historical framework of the object and the second, of a creative nature, through a synthesis journey through drawings and sketches, using experimental techniques with different materials and supports until the work is achieved.
KEYWORDS: Drawing, heritage, contemporary art, artistic experimentation, design.
Downloads
References
Aguilar García, T. (2013). Cuerpo sin límites. Transgresiones carnales en el arte. Ed. Casimiro.
Cinque Giuseppina Enrica (2021). Le rappresentazioni planimetriche di Villa Adriana tra XVI e XVIII secolo: Ligorio, Contini, Kircher, Gondoin, Piranesi Publications de l’École français de Rome.
Description de l'Égypte, ou Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française.[par les ordres de de sa Magesté L’empereur Napoléon le Grand], (1809-1822). L’impremerie Impériale.
Dewey, J. (2008). El arte como experiencia. Paidós Estética.
El tiempo y las cosas. La casa-estudio de Hanne Darboven. (2014). Catálogo de exposición. MNCARS.
Jiménez Iglesias, A. B., de la Torre Robles, Y. (2021). Dibujar para ver: catálogo de las acuarelas y dibujos de las excavaciones de la Universidad de Jaén en Egipto. Universidad de Jaén.
Jódar Miñarro, A., Marín Viadel, R (2021), Pinturas murales de la habitación del emperador Carlos V en la Alhambra: una hipótesis visual, Junta de Andalucía.
Jódar Miñarro, A. (2019). El dibujo contemporáneo como intérprete del patrimonio: la sala Caballeros XXIV de la Madraza de Granada. Granada: EUG.
Segarra Lagunes, M. M. (2017), Via Appia: i disegni degli architetti. Electa.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
