Solidarity dance-sculpture relationship in an artistic experience: interview with the Ecuadorian choreographer Ernesto Ortiz
DOI:
https://doi.org/10.18537/ripa.04.05Keywords:
Ernesto Ortiz, Sebastián Martínez, Form theory, dance-sculpture creationAbstract
Through a conversation with the Ecuadorian dancer, choreographer, critic and teacher Ernesto Ortiz, elements of the form theory were approached (from the perspective of the author Carlos Rojas), about a process of solidary creation dance-sculpture inspired by a plastic proposal on ice by Sebastián Martínez. Through the analysis of the sketches and a narrative reflection of the process, tactics are outlined for the overcoming of the postmodern in the artistic creation.
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References
Mora Toral, Genoveva (2015): “Ernesto Ortiz” (entrevista), en Diálogos que trazan la historia de la danza moderna y contemporánea del Ecuador, pp. 122-127, El Apuntador, [Quito].
Morris, Robert (1968): Continuos Project Altered Daily: The writings of Robert Morris, Massachusetts Institute of Technology, Massachusetts, 1993.
Moya, Misael y David Choin (2017): “Modelo estructural explicado y ejemplo para la documentación narrativa de experiencias artísticas y artístico-pedagógicas”, Revista de Investigación y Pedagogía del Arte, núm. 3, Universidad de Cuenca, sep.-dic.; https://publicaciones.ucuenca.edu.ec/ojs/index.php/revpos/article/view/1632
Ortiz, Ernesto (2014): Ernesto Ortiz, col. Objetos Singulares, Universidad de Cuenca, Cuenca.
— (2015): “El canon interpelado”, en Genoveva Mora Toral (ed.): Coreografía crítica de la danza moderna y contemporánea del Ecuador, pp. 67-71, El Apuntador, [Quito].
Rojas, Carlos (2016): “La forma plástica” ponencia (inédita), AQ ArteFeria Quito 2016.
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