Contemporary Hispanic American narrative (1960 -1980)
DOI:
https://doi.org/10.18537/puc.34.02.05Keywords:
Narrative, trends, innovations, fable, ruptureAbstract
In this research we propose that the boom of Spanish-American narrative involved the use of new narrative techniques and the consequent renewal in the way of telling. The novelist assumes his distance from social, mimetic realism. He understands that the literary is an autonomous fictional, with metonymic intention in the development of the narrative plot. The chosen corpus, on this occasion, takes as a reference the innovations achieved by Cortázar, Fuentes, Vargas Llosa and García Márquez. The writers agree on their innovative will, but they do not belong to a literary movement. In addition, as will be shown, the innovations are different, as different are the styles of each novelistDownloads
References
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Cortázar, J. (2010). Rayuela. Santillana.
Franco, J. (1998). Historia de la literatura hispanoamericana. Ariel.
Fuentes, C. (1987). La muerte de Artemio Cruz. Casa de las Américas.
Harss, L. (1981). Los nuestros. Editorial Sudamericana.
Huárag, E. (2007). Tendencias e innovaciones en la narrativa hispanoamericana. Editorial San Marcos.
Huárag, E. (2004). Estructuras y estrategias en la narrativa peruana. Fondo editorial de la PUCP.
Oviedo, J. (2012). Historia de la narrativa hispanoamericana. Alianza editorial.
Oviedo, J. (1990). La invención de una realidad. Seix Barral.
Shaw, D. (1981). Nueva narrativa hispanoamericana. Cátedra.
Vargas Llosa, M. (2000). La fiesta del chivo. Santillana.
Vargas Llosa, M. (1997). La verdad de las mentiras. Ariel.
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