No. 9 (2020): Special issue / International Congress IDEA'20 / Faculty of Arts of the University of Cuenca, Ecuador

Artículos

• Between the cat and the painting

  LUIS CAMNITZER

  3-12

  • PDF (Español (España))

• Accumulate, wrap, extend and conceal. Christo and Jeanne-Claude’s transforming principles

  DANIEL BARBA-RODRÍGUEZ

  13-25

  • PDF (Español (España))

• The body brush in feminist art

  ALMUDENA FERNÁNDEZ FARIÑA, MARÍA LUZ FEIJOO CID

  27-37

  • PDF (Español (España))

• A new Soundscape in Antofagasta during the nitrate cycle

  CARLA BADANI SCHONEWEG, CRISTIAN BAEZA BERNAL

  39-62

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• Drawing as a creative method: the construction of a spatial idea in the work by Donald Judd

  PABLO LLAMAZARES BLANCO

  63-77

  • PDF (Español (España))

• Co-design and experience from phenomenological perspective

  SEBASTIÁN LÓPEZ OSPINA

  79-100

  • PDF (Español (España))

• The artistic discipline of design under present scenarios

  DAVID SERRA NAVARRO, CARME ORTIZ VALERI

  101-113

  • PDF (Español (España))

• Cultural instant [landscape] with two sculptors: Oteiza y Bados

  ANA ARNAIZ, ISKANDAR REMENTERIA

  115-126

  • PDF (Español (España))

• Bioenergetic character structures: between acting and psychology

  PAMELA SOLEDAD JIMÉNEZ DRAGUICEVIC

  127-141

  • PDF (Español (España))

• Artistic Creation and Volcanic Origin Pigments in the Canary Islands. Methodology and Results

  NARCISO HERNÁNDEZ RODRÍGUEZ, SEVERO ACOSTA RODRÍGUEZ

  143-155

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• Design of an interactive multimedia stand to favor guided visits to the Pumapungo Museum and Archaeological Park

  EDGAR MARCELO ESPINOZA MÉNDEZ

  156-169

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• Heterotopic resistance: A case study of GRSB Movement

  MARÍA GABRIELA CHICA MARTÍNEZ

  171-181

  • PDF (Español (España))

• The loss of identity in hotel interior design in the city of Cuenca (Ecuador)

  GUSTAVO VIMOS LOJANO

  183-193

  • PDF (Español (España))

• Spectator 3.0: A transdisciplinary look at the scene and its receivers

  PABLO ALEJANDRO CABRAL

  195-203

  • PDF (Español (España))

• New Materials / New Sounds. Art and science syncretism in musical instruments development using metamaterials

  CAROLINA ESPINOZA OÑATE

  205-215

  • PDF (Español (España))

• The hacker drama of Ernesto Ortiz Mosquera

  CECILIA SUÁREZ MORENO

  217-223

  • PDF (Español (España))

• Inadequate housing in rural communities: interior design as a tool for social design

  DIANA PAULINA MEJÍA CORONEL, JONNATHAN ANDRÉS ZHINDÓN DUARTE

  225-239

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• Conquering our space: a new attribute of monumentality in the sculpture of the 21st Century

  ANA MARÍA OLANO SANS

  241-259

  • PDF (Español (España))

• Aesthetic reflections of resistance to techno power. Contemporary art and technological dissent

  MARCELINO GARCÍA SEDANO

  261-273

  • PDF (Español (España))

• Urban Art: Contribution to the construction of public space

  MIRTHA PALLARÉS TORRES, M. EUGENIA PALLARÉS TORRES, JING CHANG LOU

  275-287

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• Postsurfaces: a sensitive exploration of the digital screen as a graphic support

  RONALD FERNANDO MELÉNDEZ CARDONA

  289-297

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• Poetic rigor and complexity. A methodological approach in arts and education research

  MÓNICA MARCELL ROMERO SÁNCHEZ

  299-317

  • PDF (Español (España))

• The workshop on stage. Two training experiences on stage design at the 3rd and 4th National Design Biennial UBA

  MAURO GERMÁN SUÁREZ TORRICO

  319-333

  • PDF (Español (España))

• Contemporary theatre: duality of scenography and audiovisual world through Manolo Carrasco

  ISABEL MARÍA VALVERDE-SÁNCHEZ

  335-351

  • PDF (Español (España))

• Art as the ability to do something. The articulations between the first notions of the ancient Greek term technē and the approaches of the Hippocratic Treatises

  H. MARCELO ZAMBRANO U.

  353-360

  • PDF (Español (España))

• Activism and registration, documentary and fiction, politics and aesthetics. Begoña Zubero's work in the context of contemporary photography

  ENRIQUE MARTÍNEZ LOMBÓ

  361-375

  • PDF (Español (España))