No. 13 (2022): International Congress IDEA'22 / Faculty of Arts of the University of Cuenca, Ecuador

Artículos

• Second Round: Education, Design and Sustainability (ODS) as an Educational Innovation Project in defense of Artistic Education. University of Valencia, Spain

  DAVID MASCARELL-PALAU

  3-12

  • PDF (Español (España))

• Necro-aesthetics from the south. Documents and art assemblages at the Río Seco Natural History Museum

  CRISTIÁN GÓMEZ-MOYA

  13-29

  • PDF (Español (España))

• Andalién Bridge. Incomparable example of Penquista Art Deco. (Concepción, Chile)

  JOSÉ MARCELO BRAVO SÁNCHEZ, ITXIAR MARÍA LARRAÑAGA LARRAÑAGA, CATHERINE NICOLE DIVIN VEAS

  31-48

  • PDF (Español (España))

• The Pinhole as Image Creation Archetype: Explorations of Analog and Digital Media

  VERÓNICA ODE SALEH, BRUNO PERELLI SOTO

  49-61

  • PDF (Español (España))

• Transforming aesthetic education from Latin America

  CECILIA SUÁREZ MORENO

  63-80

  • PDF (Español (España))

• Archival, diagrammatic as cartographic as project axes of contemporary artistic practices

  AUGUSTO SOLÓRZANO

  81-89

  • PDF (Español (España))

• Visual Arts Management: Artists-etc., Autonomous Management, Professionalization and Work in the City of Córdoba

  ILZE GABRIELA PETRONI, LUCAS MARTÍN PEREYRA

  91-104

  • PDF (Español (España))

• Active art in public space. Impact of new technologies in the revitalization of the healthy city

  MARÍA ISABEL PARDO MIRANDA, NURIA NEBOT NEBOT GÓMEZ DE SALAZAR, CARLOS ROSA-JIMÉNEZ

  105-115

  • PDF (Español (España))

• Motion Graphics, an audiovisual resource in the flipped classroom model

  PATRICIO ISMAEL CARPIO-PADILLA

  117-131

  • PDF (Español (España))

• The artist, a demiurge of the universe or simply a madman?

  CELIA GUADALUPE MORALES GONZÁLEZ, OMAR HERNÁNDEZ PIÑA

  133-143

  • PDF (Español (España))

• Exploration of the function in the construction of the composition in space

  LAURA TATIANA ROJAS VALDIVIESO

  145-157

  • PDF (Español (España))

• Intersections between Vanguard and Indigenism in Ecuadorian academic music for guitar. ABYA YALA by Juan Mullo Sandoval

  BOLÍVAR ÁVILA VANEGAS

  159-170

  • PDF (Español (España))

• Language’s failure in postmodern societies: some examples from Yorgos Lanthimos

  MIKEL PEÑA SARRIONANDIA

  171-181

  • PDF (Español (España))

• Experiments and possibilities of drawing in ethnographic work

  ISRAEL IDROVO LANDY, SEBASTIÁN EGAS LOAIZA

  183-202

  • PDF (Español (España))

• Everyday rituals in performance and post-dramatic theater. Political and social problems

  ÁLVARO VILLALOBOS HERRERA

  203-211

  • PDF (Español (España))

• Connections and digressions in the analysis of the Dramatic Text for the creation of the character

  BENITO CAÑADA RANGEL

  213-227

  • PDF (Español (España))

• Inequality and domination: the play of art in social space

  H. MARCELO ZAMBRANO U.

  229-236

  • PDF (Español (España))

• Exvotos between the spiritual and the Identitarian. The survival of its forms for new LGTBIQ+ perspectives

  JOEL MENDOZA ORMEÑO

  237-251

  • PDF (Español (España))

• Benefits of belonging to a choir school. Perceptions of singers in the Escolanía de El Escorial

  BARTOMEU TUR MARÍ, LUIS PONCE-DE-LEÓN

  253-272

  • PDF (Español (España))

• Eutonia, art and sensitive experience

  PABLO ALEJANDRO CABRAL

  273-282

  • PDF (Español (España))

• Morphologic Interpretation of the inhabitants’ facial painting of the A’i Cofán-Dureno Community of Sucumbíos, Ecuador

  ARLETH M. MÁRQUEZ BERMEO, XIMENA PARRA PÉREZ

  283-299

  • PDF (Español (España))

• On the Complexity of the New Media Representation in the Architectural Creative Process and the Production of Images in Digital Arts

  FELIPE MATEO LÓPEZ

  301-319

  • PDF (Español (España))

• Representation of infinity in art through geometry

  MIRTHA PALLARÉS TORRES, M. EUGENIA PALLARÉS TORRES

  321-332

  • PDF (Español (España))

• Dramatic analysis and emotions

  PAMELA SOLEDAD JIMÉNEZ DRAGUICEVIC

  333-344

  • PDF (Español (España))

• Pigmentos de la provincia oriental saudita. Propuesta artística empleando pigmentos locales

  SUSANA FERNÁNDEZ BLANCO

  345-353

  • PDF (Español (España))

• The renewed language of the sacred in the arts: Three ways

  CRISTINA LÓPEZ DE CORRAL

  355-369

  • PDF (Español (España))

• Inclusion in postmodernity. Dance: a success story

  ANA CRISTINA MEDELLÍN GÓMEZ

  371-381

  • PDF (Español (España))

• Designing a social imaginary based on the theory of the puma inscribed in the layout of the Inca city of Tomebamba

  ESTEBAN TORRES DÍAZ, SILVIA CATALINA NARVÁEZ TORRES

  383-390

  • PDF (Español (España))